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Showing posts with label King of High School. Show all posts
Showing posts with label King of High School. Show all posts

Saturday, 21 February 2015


About a year and a half ago, I wrote about some of the odd advertising choices I saw for upcoming K-dramas. Well, I don't know if there's something in the water at Korean advertising offices or what, but I have seen enough questionable posters recently that I thought the topic was worth revisiting. Here are some of the best (and by best, I mean worst) recent examples:

1. Blood


Source

What it should be about: A handsome young doctor seems like he has it all: looks, money, and love. But what his coworkers don't know is that he and his mysterious twin brother are hiding a dark past, filled with intrigue, murder, and some hinted-at-but-never-actually-confirmed incest. (This premise then goes on to inspire loads of fan fiction—all of it erotic.)

What it's actually about: A handsome young doctor seems like he has it all—too bad he's actually a VAMPIRE.

 If you want to sell your vampire show, you probably don't need to make it look more angsty than it already is. Did Vampire Prosecutor teach you nothing? Also, it's a pretty bad sign in the romance department when your male lead has more chemistry with himself than with his leading lady. 

2. Hogu's Love/Fool's Love

Source

This poster wouldn't be on the list, except it's very obviously the Pieta—you know, where the Virgin Mary holds the dead body of her son, Jesus. Even if the religious reference isn't weird, the whole mother/son thing still is.

What it should be about: A nun becomes pregnant after an unexpected clandestine night of passion. Imagine her surprise when she gives birth to an adult man who acts like a baby, Benjamin Button style! With the help of a sassy guardian angel, she tries to figure out what she's supposed to do (cue awkward attempt at breastfeeding).

What it's actually about: Kang Ho Gu is kind of a pushover, and he's always been unlucky in love. When the girl of his dreams re-enters his life, things get complicated really fast. (Spoiler alert—there's still a baby!)

3. King of High School/High School King of Savvy

Source

What it should be about: A tomboyish hockey player can't stand the thought of going to her five-year school reunion alone, so she hires a high-paid gigolo to pretend to be her boyfriend. As with all fake romance, they fall in love. The trusty school secretary helps.

What it's actually about: A high school student pretends to be his older brother, who just took a big job at a major company and then disappeared.

I think my premise is more plausible. Also, can she please not have her head in his crotch?

4. Witch's Romance

Source

What it should be about: A pair of grifters move to a small town and start an elaborate money-making scheme involving a disco skating business (because why else would Park Seo Joon ever wear that shirt?). What the con artists didn't expect was that the townspeople would worm their way into their cynical hearts.

What it's actually about: A woman and a man want to date, but she's 14 years older than he is! (Gasp!)

5. Shine or Go Crazy

Source

What it should be about: Oh, cool, it's The Night Watchman's Journal!

What it's actually about: Wait, it's not The Night Watchman's Journal?

Source

I'm not kidding when I say that I clicked on the poster for the wrong show while trying to find images for this post.


What other terrible posters have you seen lately? Or am I totally off and these posters are awesome?

More K-drama Posters and the Messages They Didn't Mean to Send

Monday, 5 January 2015

You can do it!
It's a new year, and that means it's time to make a whole bunch of promises you have no intention of keeping! It's only January 5, but I'm pretty sure I have already broken some of my resolutions. It's not too late to make some more, though!

Instead of setting goals for ourselves, this time around Coco and I decided to brainstorm some resolutions for K-drama writers. C'mon, writers! We're just trying to help you be the best you! Aren't we so nice and motivational? This idea was partly inspired by Amanda from Outside Seoul and her Christmas wish list of last year. (Hi Amanda! We miss your blog posts.) So, without further ado, here are some resolutions for the K-drama writers of 2015. Let's make this the best K-drama year yet, shall we?


Resolution 1: More realistic female characters

Yeah, you are, but most people are sometimes.

This resolution is brought to you by Discovery of Romance.

I was kind of taken aback by the massive hatred that came down on the female lead of that series. Most of the commentary on the show went something like "She's such a terrible person! What do these hot, wonderful guys see in her???" Yeah, I found Yeo Reum selfish and infuriating for much of the series, but I didn't really think that she was worse than anyone else on the show—wasn't that kind of the point?  I mean, her boyfriend kept running around with his not-really-sister behind her back, so he wasn't exactly a saint.

My point here isn't that you should run out and watch Discovery of Romance because it wasn't a great show overall. My point is that in the real world, women—like men—have flaws. We get so used to watching sweet, innocent, pure-hearted young ladies running around helping old ladies cross the street all day that it's shocking to see female characters with genuine character flaws aside from "too nice" or "too poor." Many female leads grow, but only in predictable, safe ways. They become more confident. They get better hair. You get the picture.

Personally, I would love to see more female leads with a Han Yeo Reum streak. Yes, you can take it too far and make viewers hate all of the characters (and Discovery of Romance definitely pushed that boundary in the first half), but I'm tired of granny-helping sweethearts. Let's get some more complex women addressing complex problems.

Resolution 2: No more amnesia. Period.

You know what I want to forget? This entire part of the series.

Dear Drama Writers, 

If, at any point in the upcoming year, you run out of ideas and think amnesia might be the answer, trust me. It isn't. Put down your pen and walk away from the script. Everyone who watched Trot Lovers will thank you.

Resolution 3: Cast actual high schoolers in high school dramas.

Actual teenager
Via


Obviously not teenagers.
Via

We don't really need to see 27-year-olds running around, pretending to be 16. I'm sure you can find someone who is an actual teenager to squeeze into that school uniform. Too hard? Fine. We'll even let a 20-year-old slide. But if they're pushing 30, we're not buying it.

Resolution 4: Give the second female lead a chance

Second female leads deserve love too!

Second male syndrome is a pretty well-established fact in Dramaland, but what about the second female leads? I hear through the grapevine that Doctor Stranger was a rare unicorn of a case where people were rooting for the second female lead, but that's the only example I have ever heard.  Why not write a script where instead of arguing the merits of the two men, viewers are torn between two fantastic women instead? 

Did your brain just explode at the possibility of this idea?

Heck, while we're dreaming big, why not let the second female lead get the guy sometime? At least it would be memorable!

Resolution 5: Give our villains depth

This face. I MUST KNOW WHAT IT MEANS!

If you could probably compile all of your villain's lines from a montage of other shows, it might be time to rethink things. Do we really need more cookie cutter businessmen and women furrowing their brows and growling "I will destroy them!" as the camera zooms in on their clenched fists? Do you even know for sure which specific drama I'm referencing right now? I rest my case.

Let's look at two illustrative dramas: You Are All Surrounded and Pride and Prejudice. In YAAS, you have the Birkin bag lady and her easily shocked and very villainous dad, played by the same actor who is easily shocked and very villainous in both Heirs and Nine. On the other hand, though, you have Chief Kang. For most of the series, we couldn't be quite sure if she was a hero or a villain, and that made us sit up and pay attention every time she was on the screen.

Pride and Prejudice has a similar character in Moon Hee Man. I'm a couple of episodes behind (so if you spoil it for me, I'll turn into the Birkin bag lady and beat you with a handbag), but I'm almost to the end of the series, and I'm still never sure what to think of his character.

Perhaps the answer to the common second-half drama slump is to give some nuance to our baddies and keep us coming back for more.

Conclusions

See? That's only five resolutions! So reasonable! Now come back next December and let us know how you did.

What resolutions would you like to give to the K-drama writers this year?


Welcome, 2015! K-drama Resolutions for the New Year

Thursday, 4 September 2014

I'm happy to report that there were no actual metallic shirts in Witch's Romance.

I finally got around to the last episode of King of High School/High School King of Savvy, and as I thought about the review, I kept thinking about it in comparison to Witch's Romance. Because I'm really lazy  the shows are similar (noona romances airing back-to-back on the same network), why not just review them together?

Noona Romance 1: Witch's Romance


Overview
Ban Ji Yeon (Uhm Jung Hwa) is a single, 39-year-old reporter who her co-workers call a "witch" behind her back. Yoon Dong Ha (Park Seo Joon) is a 25-year-old part-timer with a kind heart and a secret past. When they cross each others' paths, they find mutual love and healing (or something equally corny).


Noona Romance 2: King of High School


Overview
Lee Min Suk (Seo In Guk) is a high schooler who--for some absurd reasons--has to pretend to be his older brother and play the role of a high-power director. He works with Jung Soo Young (Lee Ha Na), an oddball temporary employee.

We've already talked at length about the age difference in both of these dramas, so I'm actually going to ignore that part and review the other parts of the shows instead, Okay?

The Leads

Frankly, both of these dramas had stellar male leads. In the case of Witch's Romance, Park Seo Joon was a pleasant revelation. I had never seen him in a drama, and I ended up loving him in this role.(I know I wasn't the only one--just look at the header love at Samsoon Down the Rabbit Hole.) Is it just me, or does he have kind of a Song Joong Ki vibe about him? 



No? Is that just my wishful thinking because Joong Ki still has another year in the military?

In any case, I'm loving the current trend of male leads who act like second male leads. He was kind and caring, and I only wanted to punch him in the face once (I'll gt to that in a minute).

Similarly, King of High School's male lead broke the typical male lead mold. He was a little rough round the edges at first, but he always had a caring heart. Most importantly, Seo In Gook killed this role. He was a convincing 18-year-old, but not in an obnoxious way. As I watched him, I felt like I was watching a complete person, which is a change from the typical one-note chaebol lead. That guy has some acting chops, and I'm excited to see what he does in the future. 


The two female leads are basically complete opposites. Ban Ji Yeon is assertive and pretends to be cold-hearted, while Jung Soo Young is a dorky pushover. Between the two of them, I think I preferred Ban Ji Yeon, although the writers did damped her character towards the end to the point where I felt like she forgot about her personality. Uhm Jung Hwa seemed to have a lot of fun in this role, and that always goes a long way. 

I didn't mind Jung Soo Young's quirkiness for the most part, but I did feel like the writers struck this weird balance between infantilizing her and making her act like a mother figure. It's like they couldn't quite figure out how to navigate the age gap, so they had her oscillate as a way of maintaining balance. I kind of liked that they didn't decide to give her the obligatory makeover and tone down her personality, though I would have liked to see a bit more character development over the course of the series. It's important to note, however, that Witch's Romance was a female-centric story, while King of High School revolved around the male character. I guess you're only allowed to develop one character at a time?



Plotting (Not the scheming to kill people kind of plotting--the narrative kind)

Uggggggggggggggggggggggggggggggggggggggggggggggggggggggggh. Just thinking about the middle six episodes of Witch's Romance gives me boredom-induced amnesia. (Is that a thing? If not, I bet some drama writers will use it as a plot device soon!) That being said, thinking about the first six episodes makes me swoon. I started watching this series because the comments on this post about balanced relationships recommended it. All of those people were right. The friendship and comfort between the two lead characters was my kind of K-drama for sure.

Sadly, I guess you can't have 16 episodes that just revolve around two people falling in love (But whyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy?). Instead, they had to toss in a love triangle that was short by K-drama standards, but it felt eternal in the context of this drama. To be blunt, Shi Hoon's character had no depth. What did we know about him as a person? We know that he takes pictures of lions and war and stuff, but what about his personality? Wait, photographing lions isn't actually a personality trait? I guess someone forgot to tell the writers. It's really hard to devote 6+ hours to caring about a cardboard cutout.

The love triangle is just one case where the writers tried to attempt something good (filling 16 episodes with some plot), but executed it poorly. This same problem appeared multiple times throughout the drama, and one of the other most egregious examples has got to be the bedroom scene at the end of episode 2. The purpose of the scene is great. It establishes amazing chemistry between the two leads early in the series, it allows a female character to take the lead in the physical relationship (a rarity in K-dramas), and it also shows that Dong Ha doesn't care about the age difference even from the beginning. 


The problem? The one teensy weeeeeeeensy problem? Oh, yeah. She was drunk out of her mind, and he knew it.

First of all, there's the whole issue of consent. He knows that she's doing things she probably wouldn't agree to do sober, and he goes along with it anyway. Second of all, the entire scene flies in the face of Dong Ha's core characterization. He's always harassing his friend for being a womanizer, and then he has a one-night stand with a drunk woman? Let's not forget that he's also still grieving over his dead girlfriend, too. I was pretty torn because the scene had great chemistry, but it also made me a little uncomfortable and made so little logical sense that I actually thought it was a sexytime fakeout like in I Need Romance 3 and Marriage, Not Dating. (Seriously, tvN, stop doing this to us!)

Okay, so let's talk about King of High School. Again, I was much more engaged during the first half of the series. Sure, the whole premise was nonsense (either that, or being a director is a waaaaaaay easier job than I thought), but it moved at a nice pace with delightful characters. Once the couple got together, I found myself fast forwarding or reading my phone during scenes. I guess business machinations just don't interest me very much, especially when you build up an entire series with a mysterious scheming brother, only to resolve his storyline so easily that it might as well never have happened. Why was hyung even there?

You mean he had a purpose other than to show us what Seo In Guk looks like in lenseless glasses?


Side characters

This was an enormous strength in King of High School. It wasn't until the very last episode that I realized just how attached I was, not just to the leads, but to almost every side character, as well. From the high school buddies to the coworkers to Min Suk's dad, they all seemed like real people who I grew to love over the course of the series. 

There were two main standouts here who I have to mention in particular. The first was gramps, who made me laugh and cry on more than one occasion. The second was Jung Yoo Ah, who just might be my favorite second female lead of all time. She was playing a high schooler, but she handled rejection waaaaaaay better than most second female leads do. I was still able to root for her at the end of the show, unlike some other second female leads-turned-murderers I could name (Trot Lovers, I'm lookin' at you).



While Witch's Romance had kind of flat side characters in comparison, I adored Ban Ji Yeon's mother and Dong Ha's best friend. I appreciated that Ji Yeon's mother had a life story of her own outside of trying to find her daughter a husband, and every time I see him in a supporting role, Yoon Hyun Min grows on me more and more.



Conclusions

Both dramas were fun to watch at times, and both were incredibly frustrating at times. In both cases, charismatic male leads really pulled the shows together.

Where to watch:

Witch's Romance

King of High School

Noona vs. Noona: Witch's Romance and King of High School Kdrama Reviews

Tuesday, 29 July 2014


I've been going through phases with King of High School. Sometimes, the age difference doesn't really bother me. Other times, it's harder for me to see past it. Based on the debates that have been raging on Dramabeans and elsewhere, it looks like I'm not the only one who's a little conflicted. On nearly every episode, you have some people saying that it's icky for them, and then you have other people telling them to shut up about age already and just enjoy the show.

The debate over noona romances definitely aren't confined to this drama. Witch's Romance and I Need Romance 3 are two of the other dramas I've watched just this year that feature an age gap between the female lead and the male lead. Since it looks like older female leads are here to stay, let's take a look at what makes noona romances really work:


Benefits of an older female lead

At their best, noona romances allow writers to give female characters some power in the relationship. Given the emphasis on seniority in Korean culture, having a woman who is older than the man offers a balance to the control that rude chaebol-type leads tend to have. Noona leads have established lives. They have careers. They know who they are as people. Oftentimes, they aren't total novices at romance, which means that they also have a sex drive of their own (not that they're just hopping into bed with any random man, but it means that they reciprocate kisses instead of staring blankly ahead). All of these things are beneficial not only to having well-rounded relationships, but also to having well-rounded characters in general.

At their worst, noona romances ignore these possibilities and make their female leads extra infantile to make sure that the guy still gets to be the boss of everything. When noona romances go wrong, they go very, very wrong. It's like adding insult to injury if the writers have an easy option for writing a competent female character and then immediately let it go to waste. 



The case in point would be I Need Romance 3, where the female lead was headstrong and great at her job--but had the emotional development of a turnip. Sung Joon's character was a gentle second male lead type, and yet he still spent the majority of the show telling his lady love how she did and should feel. 

How old is too old?

Sure, noona romances can be great, but that still doesn't answer the question of whether there's some kind of limit on love. It's nice to say that age is just a number, but I don't really have much interest in watching a show where an 18-year-old guy is macking on an 87-year-old woman. (Or DO I? I'm imagining the old lady from Titanic with the curly-haired guy in One Direction, and it's slightly fantastic.)
A love so strong that not even arthritis could keep them apart...

What I've noticed in discussions about age gaps is that people tend to break down their views in three different ways:

1. Literal age difference

For some people, what matters most is the actual age difference between the leads. I don't know how they draw the cutoff, but at some point, there are too many years between the characters, and that's when it starts to feel uncomfortable. Is it that old rule of being allowed to date someone half your age plus seven years? I don't know. It seems to vary person to person, but usually if you're in the age camp, the ten years between the leads in King of High School is less offensive than, say, the fourteen years in Witch's Romance.



A quick note on gender bias

Before moving on, I want to pause for a second and mention gender bias. I'm a pretty big fan of gender equality, and that extends to noona romances. To me, the best test for whether or not an age gap is "creepy" is to think about whether or not it would feel uncomfortable if the genders were reversed. If it were an ahjussi romance instead of a noona romance, would it still be okay? If not, why is it okay if the woman is older?

I have heard the argument that in the traditional setup, men domineer women, so having an older man just makes that domineering worse, whereas having an older woman makes it more equal. A few paragraphs ago, I said something similar, but I think this argument only extends so far. I like having female characters who are old enough to feel confident in their own identities, but that's very different from using age to bully or dominate the other party. To assume that men can use an age gap to manipulate and domineer but that women can't is not only shortsighted, but also a little condescending.

Regardless of gender, there may be a point when an age gap creates a situation where one party has control, and that's where it becomes a problem for me.

2. A difference in life status

This is generally where I fall. I don't know that there's some magic number where you're too old for the other person, but I tend to feel a little iffy cheering for couples who are in completely different stages of life. For me personally, there's a pretty firm line drawn with high school students paired with established adults--especially if that adult is a teacher or other authority figure. The big objection is that high school students aren't adults (and yes, we can quibble about consent laws state to state, but that's not the point). 

King of High School is the perfect example here. Yes, Min Suk is mature for an 18-year-old (but we need to note that it's 18 in Korea, which means that he's only 17 by western counting), but he still has a full year of high school left. Soo Young, on the other hand, has been out of college for several years, which means that her life experiences are very different from his. Not only is she an established adult, but she acts as the primary mother figure for a girl Min Suk's age. That's why, when she comforts him at the end of episode 12, it was hard for me to see it in a non-maternal way. I could go on about brain development and stuff, but you get the point.



That's not to say that cases like this don't or can't work out. It's also not to say that I dislike this drama or the actors in it (because I love Seo In Guk in this role). It's just to say that it's more likely to make me, as a viewer, hesitate before being able to cheer them on wholeheartedly.

On the other hand, Witch's Romance boasts a larger age gap that bothered me much less. Both were consenting adults. Both had lived independent lives for several years. Both had previous dating experience that put them on equal footing. Both of them also knew about the age gap from day 1, so they entered the relationship with eyes wide open.

If we apply the gender-reversal rule here, it still applies. A 27-year-old man dating a 17-year-old girl would give me pause. A larger age gap between adults (like the one in Prime Minister and I) doesn't really bother me. Even though I haven't seen it, the 20-year age difference in Secret Love Affair was also fine by me for the same reason.

3. The actors' actual ages

Now this one's interesting to me, and I'm curious to hear what all of you think about it. Some people worry less about the ages of the characters and more about the literal age gap between the actors themselves. Seo In Guk is only five years younger than Lee Ha Na in real life. He's also 26 years old, not 17. 

To give a contrasting example, there has been some recent controversy over the casting in High School--Love On, where Nam Woo Hyun is 23 in real life, but his costar, Kim Sae Ron, is only 14. In the drama itself, both characters are supposed to be 18 (though she's an angel, so her technical age is probably older).

 

If the characters were 14 and 23, that would definitely be too much (even worse than 17 and 27, for the reasons stated above), but should actor ages be a factor? I can see why actor ages would impact our feelings about the onscreen couple, but I also feel like we should give the actors credit if they can play a convincing role. Seo In Guk has been incredible at capturing the mannerisms of an 17-year-old boy. Should viewers discount that effort because he's 26 in real life?

This isn't a perfect comparison, but in some ways, it reminds me of the complaints in romance movies when a gay actor plays a straight character or vice versa. If they're acting out a fictional story either way, why should their real life make a difference in how we view the characters?

Conclusions

Like I said at the beginning, I go back and forth in my feelings about King of High School, and I'm genuinely curious to hear how everyone else feels. Does age ever matter? Do you have a hard time watching certain dramas? Or do you wish everyone would shut up and let your favorite characters fall in love in peace?

Is Age Just a Number? Kdramas and Noona Romances

Wednesday, 2 July 2014

I had a chance to spend last Saturday hanging out with a bunch of other K-drama lovers/bloggers who happen to live in my area! Eating delicious Korean food and chatting about K-dramas was delightful. I had no idea that the people I read on the internet actually live near me in real life. Dewaanifordrama did a little write-up about our meeting here. I just have to say how much I enjoy the K-drama community. Whether it's the K-drama lovers I meet in real life or those of you who chat about dramas on the internet, you all make watching dramas worthwhile. Thank you. You're the best drama friends a girl could have.

Now that I've gotten my sentimentality out of the way for the day, it's new drama time! Last drama cycle was kind of a bust for us. Out of all of the options, I was only interested in You Are All Surrounded, and then I picked up Witch's Romance towards the end of its run. Coco and I are more interested in the shows this time around. Here's what we're watching:


King of High School/ High School King of Savvy

This poster. I hate it. But I love the show.
Image via

What it's about: Lee Min Suk (Seo In Guk) is a hotshot high school hockey player. When his hotshot businessman brother disappears the day he's supposed to start a new job, he asks Min Suk to act as his double. Min Suk juggles the stresses of high school and business as hijinks (and, I assume, a noona romance with Lee Ha Na) ensue.

First impressions (episodes 1-4): First of all, can we just agree that High School King of Savvy has got to be one of the least appealing show titles of all time? It sounds simultaneously smarmy and childish. I'm glad that I didn't let the title deter me because I went into episode 1 with reeeeeeeeally low expectations, and I was pleasantly surprised.

Seo In Guk is carrying this whole show, no doubt about it. He's amazingly good at playing up the mannerisms of an 18-year-old boy, and I love that his character, while playful and immature, isn't your typical jerkface male lead. He's caring and friendly from the very beginning, which always scores points in my book. I have to admit, though, that I'm just pretending that he's a college student instead of a high school student. I enjoy a good noona romance, but rooting for an older woman to pick up on a high school kid crosses my pervy boundaries. Can we all just agree to pretend he's closer to Seo In Guk's actual age?

I'm a little split on the female lead. She's endearing, but her awkwardness is so over-the-top that it's kind of a cliche at this point. I also can't look at her without seeing this:
I have faith that she will grow on me over the course of the show.

If you're okay with suspending your disbelief of the absurd premise, I would say this is worth a watch for Seo In Guk's performance. And his grandpa.

Where to watch King of High School:


Joseon Gunman

Image via

What it's about: At the end of the Joseon era, a sword fighter's son (Lee Joon Ki) must learn to take up the gun in order to get revenge. (Or so I hear. We aren't at the revenge part yet.) He is joined by a young woman (Nam Sang Mi) who fights for enlightenment ideals.

First impressions (episodes 1-2): I'm a sucker for pretty dramas, and this drama is insanely pretty. I'm also a sucker for Lee Jun Ki, so this started out with a stacked deck in my book. Although it might be odd to compare this to King of High School, they're both similar in that they have male leads who start out as immature, but kind and caring. I think the pacing on this drama is pretty smart, as well. We know that the heavy stuff is coming, but they started with some absurdly cute and romantic scenes to carry us through the inevitable melo. I already feel invested in this couple, and it has only been two episodes. As a bonus we already have a cross-dressing drama and forced cohabitation, which happen to be two of my favorite things!

The female lead is interesting. I don't know if the writers did this on purpose, but she's an interesting mix of traditional and assertive. She wants to be a scholar and she sasses anyone who disagrees with her, but she's also kind of damsel-in-distress-ish. Squealing and crying aren't usually my favorite character traits in female leads, but I'm willing to let it slide here because she encapsulates that interesting era of history so well. She's an embodiment of both traditional Korean women and enlightenment ideals. 

Where to watch Joseon Gunman:


Trot Lovers

Image via

What it's about: A superstar (Ji Hyun Woo) falls on hard luck, and, in order to save his career, he must help a young woman who loves traditional trot music (Jung Eunji) become a singer.

First impressions (episodes 1-4): I love both of the leads (and I also like our second male lead, Shin Sung Rok, now that he isn't murdering people), but I'm a little bit worried about the writing after four episodes. The first two episodes were light and fluffy, episode 3 got pretty dark pretty fast, and then episode 4 went back to light and fluffy. I'm happy that they didn't play sexual harassment or suicidality for laughs, but consistency is also important. The tone has been swinging so wildly from one end of the spectrum to the other that I get the sense that these writers aren't quite sure where this train is headed. Let's just hope they don't steer it off of a cliff! 

Where to watch Trot Lovers:
Viki

What are you guys watching? Thoughts so far?

New Dramas: King of High School, Joseon Gunman, and Trot Lovers

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